Musik |
Jerry Goldsmith (music)
|
Drehbuch |
Eric Bercovici (written by), Jerry Ludwig (and (written by))
|
Stunt-Koordinator |
Hal Needham (stunt coordinators), Juan Majan (stunt coordinators)
|
Kamera |
Riccardo Pallottini (director of photography - als Riccardo Pallotini), Raul Perez Cubero (second unit photography - als Raul Perez-Cubero), Carlo Tafani (camera operator), José Luis Martinez (chief electrician - als José-Luis Martinez), Luis Martinez (key grip)
|
Schnitt |
Stanford C. Allen (film editor), Dennis Mosher (assistant film editor)
|
Bauten |
Julio Molina (art director), Angel Sevillano (property master)
|
Kostüme |
Agustin Jimenez (wardrobe supervisor)
|
Regie 2. Stab |
Hal Needham (Second unit director)
|
1. Regieassistenz |
Scott Maitland (assistant directors), José Lopez Rodero (assistant directors - als Pepe Lopez Rodero)
|
Continuity |
Lucie Lichtig (script supervisor)
|
Standfotograf |
Phil Stern (still photographer)
|
Maske |
Carmen Martin (makeup)
|
Ton |
Jim Willis (recording mixer), Theodore Soderberg (recording mixer)
|
Dialogcoach |
Paul Costello (dialogue supervisor)
|
Presse |
Alan Arnold (unit publicist), Stanley Bielecki (press coordination)
|
Spezialeffekte |
Luciano D'Achille (special effects), Antonio Molina (special effects)
|
Produzent |
Harry Bernsen (a - production - als Bernsen / produced by), Jerrold L. Ludwig (a - production - als Ludwig), Eric Bercovici (a - production - als Bercovici), Leon Chooluck (co-producer), Maria Luisa Alcaraz (associate producer - als Maria-Luisa Alcaraz), Francisco Ardura (production coordinator), Mary Pepa Willis (production secretary), José Maria Ochoa (unit manager)
|
Regie |
Antonio Margheriti (directed by - als Anthony M. Dawson)
|